These objects exist primarily for a desire to see made and to possess what isn't. They are rooted in exploring modes of: the means of production, self-sufficiency, manual labor, material virtuosity, durability, mobility, sexuality, visceral response, and play. They are also rooted in communities of other practicing sculptors, and the history of sculpture. Without these things as well, these objects would have no reason to exist. They are in chronological order, with the most recent works at the top. They are roughly grouped together into different phases of this evolving enterprise of mine.